Thanks to their cardioid (heart-shaped) pattern, C-2 microphones pickup your source signal while rejecting off -axis sounds that can ruin an otherwise perfect recording. Another difference between condenser and dynamic mics is they contain active circuitry that requires phantom power (+48 V DC) for operation. You can power them from any phantom power equipped.
Once connected to your sound system, you’ll notice these twin pro-caliber microphones have exceptionally-flat frequency response (an average boost of 4 dB between 1 kHz- 8 kHz).
For those of you new to condenser mics, this basically means you’ll get a slightly brighter sound, that will give the perfect shape to cymbals and overhead miking. Acoustic pianos and choirs will also benefit greatly from this frequency response.
The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C-2 mics contain ultra low-noise transformerless FET input circuitry that can handle extreme dynamics (from 20 Hz to 20 kHz) and have a maximum sound pressure level of 150 dB.
C-2 mics also feature a switchable low-frequency rolloff to eliminate infrasonics (mic handling and wind noise), as well as a switchable 10 dB input attenuation to accommodate for hot signals, such as a really loud vocalist – or overzealous cellist.
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